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The Humanities Bookstore offers for sale second-hand, new, academic and antiquarian books on the Humanities and Social Sciences and other subjects.
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Sudo, Kumiko
"Kokoro no Te", translated into English as 'handmade from the heart', is the philosophy behind this enchanting collection of small, high-fashion craft projects that have a distinctive Japanese flair. Featuring purses, pins, sewing accoutrements, and the author's amazing temari balls, the 30 original hand-sewn designs combine surprisingly simple techniques with exquisite colours and fabrics, allowing sewers to create lavish objets d'art easily and inexpensively. A delightful and original array of fashion pins, brooches, purses, and keepsake pouches creatively combine silks, cottons, and soft felts with delicate beading and embroidery. A pattern for a doll-sized kimono is included along with designs for pin cushions, thimbles, and a needle cache. The sensational colour photographs and line drawings show multiple points of view for each project and show precisely how each artful, stylish, and charming piece comes together. 156pp.
Breckling Press, 2005, Card Covers, Book Condition: Fine, Jacket Condition: No d/j as Published. . . 8vo - over 7" - 9" tall.
ISBN: 1933308044
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Inventory #24074
Price: £ 15.00 GBP ($ 19.80 approx. - € 17.40 approx.)
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Felski, Rita
N.B.Some underlining.Previous owner's name on ffep.
Harvard Common Press, 1995, Paperback, Book Condition: Good, Jacket Condition: No d/j as Published. . . 8vo - over 7" - 9" tall.
ISBN: 0674341945
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Inventory #26199
Price: £ 7.50 GBP ($ 9.90 approx. - € 8.70 approx.)
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Edited By Cochat,Pierre
Immunosuppression in solid organ transplantation is experiencing a worldwide revival since new drugs are now available in the late-1990s and others are under development. In order to contribute to the design of future strategies, a critical approach of surrogate endpoints is given and long-term side effects are analyzed, together with the impact of non-compliance, quality-of-life and economical parameters. In this book, international specialists have set up the scientific rationale and provided new bases for further immunosuppressive strategies. 179pp.
Kluwer Academic Publishers, 1999, Cloth/Laminated Boards, Book Condition: Like New, Jacket Condition: No d/j as Published. . . 8vo - over 7" - 9" tall.
ISBN: 079235804x
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Inventory #15624
Price: £ 25.00 GBP ($ 33.00 approx. - € 29.00 approx.)
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Ohana, David
In the turbulent period between 1870 and 1930, the contours on modernity were taking shape, especially the connections between technology, politics and aesthetics. The trilogy "The Nihilist Order" traces the genealogy of the nihilist-totalitarian syndrome. Until now, nihilism and totalitarianism were considered opposites: one an orderless state of affairs, the other a strict regimented order. On closer scrutiny, however, a surprising affinity can be found between these two concepts that dominated the history of the first half of the twentieth century. Starting with Nietzsche's philosophy, this book traces the development of an intellectual school characterised by the paradoxical dual purpose of a wish to destroy, coupled with a strong desire to create imposing structures. This explosive combination of nihilist leanings together with a craving for totalitarianism was an ideal of philosophers, cultural critics, political theorists, engineers, architects and aesthetes long before it materialised in flesh and blood, not only in technology, but also in fascism, Nazism, bolshevism and radical European political movements. Friedrich Nietzsche, Georges Sorel, the Italian Futurists, led by Filippo Tommaso Marinetti, and Ernst Junger were all well-known intellectual and cultural figures. Here they are seen and understood in a different light, as creators of a modern political mythology that became a source of inspiration for belligerent ideological camps. Among the ideas propagated by this school, and later adopted by totalitarian regimes, were historical nihilism, a revolt against the rationalistic and universalistic pretensions of the Enlightenment, an affirmation of the dynamism of modern life, and the replacement of the traditional Judeo-Christian values of good and evil by other dualities such as authenticity and decadence. Concurrently there took place affirmation of the technological era, the creation of a 'new man' and a violent order, and the birth of a new political style in place of traditional world-views. When channeled into the political sphere, these aesthetic nihilist ideas paved the way for the rise of totalitarianism. 221pp.
Sussex Academic Press, 2009, Cloth/Laminated Boards, Book Condition: New, Jacket Condition: No d/j as Published. . . 8vo - over 7" - 9" tall.
ISBN: 9781845192891
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Inventory #20410
Price: £ 30.00 GBP ($ 39.60 approx. - € 34.80 approx.)
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Rozik, Eli
This book is a comprehensive introduction to the analysis of fictional worlds in a set of fifteen arts, including theatre, opera, figurative ballet, mime, audio drama, figurative drawing/painting, figurative sculpture, strip cartoon, animation, puppet theatre, still photography, photo-novel, silent movie, cinema and TV drama. Due to their extreme differences, the combination of different arts in the description of a single fictional world, and the translation from one medium to another, are considered problematic. While such differences do not concern fictional creativity, which applies the same poetic and rhetoric rules whatever the medium, it is widely accepted that the problem lies in the extreme differences between the mediums of description. In contrast, this study explores their common grounds. These arts are iconic in nature, and if 'iconicity' is re-defined in terms of imprinting images on matter and mediation of language, and as reflecting the common roots of these mediums in a preverbal mode of imagistic thinking, therein is an explanation of their possible combination and translation from one medium to another without impairing the receivers' reading, interpreting and experiencing capacities. Eli Rozik analyses numerous fictional worlds in all these arts, produced during the last 2,500 years of artistic creativity, especially in theatre, art and cinema. This book presupposes that principles underlying the generation of descriptions of fictional worlds by the theatre medium, as proposed in two earlier works (Generating Theatre Meaning and Fictional Thinking), also apply to all the iconic/fictional arts. The text-book format of the volume has been purposefully designed to address the needs of undergraduate and postgraduate students, suiting the structure of university courses and providing all necessary information to access the images/artistic works discussed in the volume via the web and Google. This inter-art journey from theatre theory to the arts is compelling reading for all those involved and engaged in artistic creativity. 299pp.
Sussex Academic Press, 2011, Cloth, Book Condition: New, Jacket Condition: No d/j as Published. . . 8vo - over 7" - 9" tall.
ISBN: 9781845194253
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Inventory #27367
Price: £ 40.00 GBP ($ 52.80 approx. - € 46.40 approx.)
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