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The Humanities Bookstore offers for sale second-hand, new, academic and antiquarian books on the Humanities and Social Sciences and other subjects.
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Richardson, Diane; Hart, John
Previous owner's name on ffep.
Routledge & Kegan Paul, 1981, Paperback, Book Condition: Good, Jacket Condition: No d/j as Published. . . 8vo - over 7" - 9" tall.
ISBN: 0710008384
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Inventory #26239
Price: £ 6.00 GBP ($ 7.74 approx. - € 6.63 approx.)
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Bremner, J. Gavin
This is a clear and authoritative introduction to infant development. The book moves with logical progression through chapters on perceptual development, cognitive development, and social interaction and development.Although adopting the traditional format for infancy texts, Bremner convincingly shows how current theoretical views call for the reformation of these traditional ways of categorizing infant ability. He reviews the debate at the heart of the subject between views of Piagetian constructionism and biological "ecological" theories, elucidating the competing views and addressing the implications for future research that arise from them. This book provides an up-to-date overview of the subject for undergraduates, and serves as a post-introductory course text.Signed by author on inside cover.Slight fading to covers.257pp.
Basil Blackwell, 1988, Paperback, Book Condition: Good, Jacket Condition: . First Edition. . 8vo - over 7" - 9" tall.
ISBN: 0631148094
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Inventory #13764
Price: £ 6.00 GBP ($ 7.74 approx. - € 6.63 approx.)
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Crump, Robert L.
Prior to World War I, printmaking in the United States was, with a few exceptions, primarily the domain of commercial enterprises that produced largely picturesque European scenes or depictions of popular towns on the East Coast. Prints of Minnesota scenes, especially by Minnesota artists, formed a very small part of American art exhibits. Robert Crump relates the fascinating story of Minnesota's graphic arts world and its growth from provincialism to part of a national movement, showing how art printing - etchings, woodcuts, lithographs, drypoints, monotypes, and silk screens - blossomed after the turn of the last century. He chronicles the support of the federal government during the 1930s and the important role played by local organisations such as the Minneapolis Institute of Art, the Walker Art Center, and the Minneapolis School of Art (now the Minneapolis College of Art and Design). This book offers short biographies of and sample prints by nearly two hundred printmakers, including Wanda Gag, Adolf Dehn, George Resler, Miriam Ibling, Syd Fossum, Gilbert Fletcher, and Gustav Goetsch. Crump's eye for memorable images makes the handsome volume a pleasure to behold for collectors and readers interested in Minnesota art. Notes on printing techniques and several appendices help newcomers appreciate the challenges of printmaking. 194pp.
The Minnesota Historical Society Press, 2009, Cloth, Book Condition: New, Jacket Condition: New. First Edition. . Folio - over 12" - 15" tall.
ISBN: 9780873516358
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Inventory #23014
Price: £ 25.00 GBP ($ 32.25 approx. - € 27.63 approx.)
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Rozik, Eli
This book offers a theory of the archaic mode of fictional thinking and a methodology for the analysis of fictional worlds. It presupposes the mutual independence of the description of a fictional world, in any language or medium, and the described fictional world. Such a world is generated by an autonomous fictional structure, which reflects the spontaneous expectations of the spectator, and thematic specification. A model of this structure is presented, comprising seven layers: personified, mythical, praxical, naive, ironic and aesthetic - and overriding these layers, the fictional experience on the level of relationship between the fictional world and spectator. This experience depends on the spectator's ability to complement such a description with pertinent associations, drawn from shared cultural resources, and psychical mechanisms of response. Explanations and examples are couched in poetic, pragmatic, aesthetic and rhetoric methodologies. An Introduction surveys the major contributions made to a methodology of fictional analysis since Aristotle's Poetics, problematises them and suggests possible alternatives. Part I is devoted to the inner structure of fictional worlds; i.e. , to the poetic rules that generate them. The innovation of this approach lies in its multi-layered nature. Part II deals with the structure of the fictional experience, which is metaphoric and rhetoric in nature. Part III deals with the specific structures of fictional worlds that reflect the particular intentions and purposes of their authors. Part IV contains analyses of actual fictional worlds that illustrate the application of the previously presented principles. The focus throughout is on theatre fictional worlds which by their nature exhibit the most complex fictional thoughts that the human brain can generate. The theoretical insights gained for theatre assumedly apply to descriptions of such worlds in any language or medium. More than a hundred fictional worlds created during 2500 years of theatre recorded history are analysed. The volume has been purposefully designed to address undergraduate and postgraduate student needs to provide a fundamental competence of theatre studies. 323pp.
Sussex Academic Press, 2009, Cloth/Laminated Boards, Book Condition: New, Jacket Condition: No d/j as Published. First Edition. . 8vo - over 7" - 9" tall.
ISBN: 9781845193263
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Inventory #22910
Price: £ 35.00 GBP ($ 45.15 approx. - € 38.68 approx.)
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Englert, Klaus
Spanish museum architecture has experienced a marked upturn since the 1990s, fired in part by the worldwide acclaim for Frank O. Gehry's Guggenheim Museum in Bilbao. Spanish architects have designed unique museums that have changed the look of whole towns, from Rafael Moneo's Museo Nacional de Arte Romano in Merida to the Museo de Arte Contemporaneo de Castilla y Leon in Leon in Castille, built by the Madrid architects Mansilla + Tunon. Moneo, who recently completed the annexe for the Museo del Prado in Madrid, may still be the leading figure in Spanish architecture, but architects like Mansilla and Tunon (who trained under Moneo), are now attracting attention internationally as well as in Spain, as are even younger talents who have just left architecture school. Spanish architects use a wide variety of formal languages, yet there are some characteristics that apply to them all: they are uninterested in Postmodernist games; the modern reinterpretation of regional building traditions is prominent in their practice; they are sensitive to particular features of the environment and topography. Kenneth Frampton observed in this context that Spanish architecture essentially runs counter to the globalisation tendencies that are increasingly reducing architectural form to a comfortable (yet formulaic) aesthetic product. This book, which makes an excellent museum guide, shows that this tendency is particularly conspicuous in the new museums, and confirms the world-class nature of new Spanish architecture. Klaus Englert studied philosophy and German. He was academic adviser to the Zollverein development company in Essen. He has worked for several years as free-lance culture correspondent and architecture critic for the Suddeutsche Zeitung, the Neue Zurcher Zeitung and the Frankfurter Allgemeine Zeitung. 199pp.
Edition Axel Menges, 2010, Cloth, Book Condition: New, Jacket Condition: New. First Edition. Heavy Item Postage Quote. 4to - over 9" - 12" Tall.
ISBN: 9783936681178
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Inventory #23933
Price: £ 45.00 GBP ($ 58.05 approx. - € 49.73 approx.)
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