N.B. Heavy fading to spine. Edges of covers slightly faded. Corners and edges of covers slightly rubbed. 314pp.
The Bobbs-Merrill Company Inc., 1971, Paperback, Book Condition: Good, Jacket Condition: No d/j as Published. . . 8vo - over 7¾" - 9¾" tall.

ISBN:

Inventory #28412

Price: £ 7.50 GBP ($ 9.00 approx. - € 7.95 approx.)

The Penn Greek Drama Series presents original literary translations of the entire corpus of classical Greek drama: tragedies, comedies, and satyr plays. It is the only contemporary series of all the surviving work of Aeschylus, Sophocles, Euripides, Aristophanes, and Menander. 284pp.
University of Pennsylvania Press, 1998, Paperback, Book Condition: Very Good, Jacket Condition: No d/j as Published. . . 8vo - over 7¾" - 9¾" tall.

ISBN: 0812216539

Inventory #26035

Price: £ 10.00 GBP ($ 12.00 approx. - € 10.60 approx.)

In the early fourth century B.C., Plato founded his famous Athenian school, the Academy. Among the students who came to study there were two women, Axiothea of Phlius, who wore men's clothes, and Lasthenia of Mantinea. In five dialogues, inspired by those of Plato, C. D. C. Reeve imagines these women in conversation with one another, with Plato himself, and with their fellow Academician, Aristotle. The topics they discuss - women, art, justice, freedom, and the nature of reality - are all drawn from Plato's Republic. Their lively exchanges, which quickly engage the reader, are at once an exciting and accessible introduction to some of Republic's central themes and an exploration of some of the most controversial questions we face in trying to make sense of our complexly shared lives. 72pp.
Hackett Publishing Company, Incorporated, 2001, Cloth, Book Condition: Like New, Jacket Condition: No Jacket. . . 8vo - over 7¾" - 9¾" tall.

ISBN: 0872206025

Inventory #5466

Price: £ 12.50 GBP ($ 15.00 approx. - € 13.25 approx.)

This absorbing study of Plato's criticism of poetry offers a new interpretation based upon central features of both the pre-Platonic conception of poetry and previously neglected features of Plato's various discussions of poetry and the poets. Professor Mitscherling's analysis is unique in that he concentrates on the philosophical significance of Plato's distinction between dramatic and non-dramatic sorts of poetry. Mitscherling shows that this distinction proves in fact to be central to the conception of poetry that Plato consistently elaborates throughout his dialogues. Mitscherling also makes a unique contribution by outlining a possible Platonic aesthetics, which draws on current work in phenomenology and hermeneutics in such a way as to promise an entirely new direction for current work in continental aesthetics. The author employs Gadamer's analyses of the ontology of the work of art, in conjunction with a phenomenological analysis of the aesthetic experience, in the construction of a foundation for aesthetics that is consistently Platonic. Mitscherling concludes with the hypothesis that Plato's criticism of poetry did not apply to poetry itself, nor was it directed to art in general or the educational system, or the Sophists. Rather, Plato was specifically against the technic of mimesis, that is, the technique of persuading by appearing to be what one is not, or by merely appearing to speak the truth.479pp.
Humanity Books, 2009, Cloth/Laminated Boards, Book Condition: New, Jacket Condition: No d/j as Published. . . 8vo - over 7¾" - 9¾" tall.

ISBN: 9781591024316

Inventory #20740

Price: £ 35.00 GBP ($ 42.00 approx. - € 37.10 approx.)

N.B. Previous owners inscription to ffep. Fading and reading crease to spine. Some annotation. 339pp.
Houghton Mifflin Company, 1968, Paperback, Book Condition: Good, Jacket Condition: No d/j as Published. . . 8vo - over 7¾" - 9¾" Tall.

ISBN:

Inventory #26624

Price: £ 7.50 GBP ($ 9.00 approx. - € 7.95 approx.)